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Maida Vale Session with Omar Rodriguez Lopez (2009)Ġ1- Boiling Death Requests a Body to Rest It's Head On (de Se Dice Bisonte, No Buffalo)Ġ2- How to Bill the Bilderberg Group (de Old Money, con Ximena Sariñana)Ġ3- Las Flures con Limon (Con Ximena Sariñana)Ġ2. "Warnung vor einer heiligen Nutte" – 1:56 I Like the Rockefellers' First Two Records, but After That. Family War Funding (Love Those Rothschilds) – 3:55Ġ9. Trilateral Commission as Dinner Guests – 4:51Ġ7. How to Bill the Bilderberg Group – 3:27Ġ3. Minor Cuts And Scrapes In The Bushes Ahead(2008)Ġ9 - Sliding In and Out of a Laceration – 2:57Ġ2. Omar Rodriguez-Lopez & Jeremy Michael Ward (2008)Ġ2 - A Tightrope Supports Our Festering – 2:11Ībsence Makes the Heart Grow Fungus (2008)Ġ1 - Hands Tied to the Roots of a Hemorrhage – 4:05Ġ7 - An Anxious Shrewdness in the Veins – 4:10 Omar Rodriguez-López & Jeremy Michael Ward Recientemente también ha terminado de producir el siguiente álbum de la banda de Los Ángeles Radio Vago. Rodríguez-López está nombrado por toda la música escuchada en el lanzamiento del 2005 de The Mars Volta, Frances the Mute. El hecho de que estas personas no sean músicos resalta el acercamiento no convencional de Rodríguez a su medio, diferenciándolo de otros guitarristas de esta era y pasadas. Rodríguez cita al comediante Lenny Bruce, el director de cine Werner Herzog, el antropólogo Carlos Castañeda y Matias Dulbecco como cuatro influencias importantes. Sin embargo, Rodríguez ha dicho que sus principales influencias artísticas no han sido musicales, a excepción de su gurú, el pianista de salsa Larry Harlow. Parece ser que Fripp tiene una considerable influencia en Rodríguez-López. Su estilo muestra una gran semejanza al guitarrista de King Crimson, Robert Fripp, y a John Frusciante ya que dichos guitarristas usan armonías atonales y tritonales. Rodríguez-López es un guitarrista visionario y moderno en términos de innovación y experimentación.